Restaurant Interior Design Tips For Business Owners

If you’re a restaurant owner, then you know how important restaurant design is. When it is done the wrong way, it can lose you business. If you do it the right way, then it is going to increase sales and make you a more successful company owner.

The restaurant is going to need to be put together in a way that makes people want to eat there. That’s why it’s not a good idea to try and just throw a piece of furniture in here and there and not really care what it looks like. You have to have everything match and look right or it’s not going to draw in that many people. Some people don’t care what a place looks like, but for the most part it looks dirty in a place if everything is mismatched and not paid that much attention to over the years.

You need to keep your restaurant clean. If you can’t do that, then nobody will review it well and most people aren’t going to want to come in. Your interior needs to be easy to get around and clean or else things will get dirty fast. For instance, if a seat has fabric on it then that’s not as good as something that is made of a material like metal or plastic. You need to be able to wipe down all of the surfaces on a day to day basis so that you don’t end up with a dirty restaurant.

Interior design is only good to have done by someone that is a professional. How do you know if someone is good at interior design? Ask them to show you before and after photos of some of the work they did. You may be able to find some if you look for their website or for them on social media. If you’re not able to find much out about this kind of thing, then you are taking a risk. It’s your money, so you really need to spend it on someone that you know is fit for the work.

You may want to find someone that can update your restaurants interior design on a regular basis. If you have the same look forever than people may end up knowing you for it but you will not get a lot of new customers if the restaurant looks old. You want to make sure that you keep up with the times if possible, especially if you plan to be a hip brand. There are a lot of improvements that you can make slowly like you can change the tables and chairs and then start changing the walls afterwards. You don’t have to do everything at once if you can’t afford it.

Restaurant interior design is really important to do well. You need to find the right people for the job that can do what it takes to get things underway. Once you begin, you’ll find that it helps quite a bit for you to use our tips which came from www.skalabina.com a professional construction company.

Finding A Car Unlocking Service In Singapore

You shouldn’t feel embarrassed if you have locked your keys in your car. This is a mistake that most people make at one point or another. However, you should try to get your keys out of your car as quickly as possible. Work to find a reliable car unlock service in Singapore. You shouldn’t feel embarrassed if you have locked your keys in your car. This is a mistake that most people make at one point or another. However, you should try to get your keys out of your car as quickly as possible. Work to find a reliable car unlocking service in Singapore.

Choose A Car Unlocking Service That Has Been Around For A While

You may not want to work with a car unlocking services that is brand new. It’s important to remember that not every company that offers these services is legitimate. If you want to avoid being scammed, you’ll want to look for a company that has some history behind it.
Try to find a service that has been around for quite a while. If a company has been around for a few years, you can count on them to do great work. You should try to find a company that you can trust. You’re in a bad situation, and you need to look for the kind of company that you can rely on.

Read Reviews Of Car Unlocking Services

If you want to learn more about some of the car unlocking services located in Singapore, why not read some reviews? Reviews will be able to tell you a lot. You shouldn’t just focus on whether a particular review was positive or negative. You should also see what the review has to say.
A review can tell you all about a company. It can tell you what their customer service is like. It can tell you how quickly they work. If you read the right kinds of reviews, you’ll be able to learn all about what a company has to offer.

Find A Company That Can Help You Right Away

When you look for an unlocking service, you should specifically look for companies that are in close proximity of your current location. You should make sure that they’ll be able to help you right away.
You may also want to call a 24/7 locksmith company so that you can see how busy they are. If all of the employees at a company are out on jobs, they may not be able to help you for quite a while.

Find A Company That Charges Fair Rates

You probably weren’t planning on having to hire a car unlocking service when you woke up in the morning. You should make sure that the service you select won’t be too expensive to hire.
Before you call a service and ask them for help, you should check to see how much they charge. Try to find a company that charges fair and reasonable rates. If a company’s rates seem fair, you can call them and ask them to assist you.
It’s okay if you have locked your keys in your car. There are professionals that will be able to help you open your car back up. There are plenty of car unlocking services in Singapore. Use these tips so that you can find a service to assist you.

On Stage

Events & Live Performances

Follow David on Facebook to watch for new events and performances!

Past Performances

Although the main focus of David Hood’s career has been work in recording studios, he has also played with many artists in live performances over the years, The following is a partial list:

Traffic in the 1972/1973 tours in the U.S., U. K. and Europe.
B.B. King, Luther Allison, and Johnny Copeland at the Montreux Jazz Festival in 1984.
Little Milton, Denise LaSalle, Benny Latimore and Big Mike Griffin in Europe and the U. K. in 1993.
Memphis’ American Studios Rhythm Section at the Elvis Presley Festivals in Belgium and the Netherlands in 2004.
Mavis Staples, Bonnie Bramlett, Tony Joe White, Donnie Fritts, Larry Jon Wilson and George Soule at the Barbican Theatre in London in 2005.
Frank Black, Guy Garvey, and Richard Hawley at the Jack Daniels Birthday in Lynchburg, TN in 2006.
Patti Smith, Juliette Lewis, Shingai of the Noisettes at the Jack Daniels Birthday in Lynchburg, TN in 2007.
Others include The Decoys, the Muscle Shoals Soul Revue, Gregg Allman, Delbert McClinton, Kris Kristopherson, Waylon Jennings, Wilson Pickett, the Staple Singers, Eddie Floyd, Percy Sledge, Jimmy Hall, Rollin’ in Hay, Steve Bassett and the Mystic Soul Bubbas, Glenn Frey, William Lee Golden, Dan Penn, Tammy Mynette, Hank Williams Jr., the Commodores, Russell Smith and the Amazing Rhythm Aces, and Art Garfunkel.

Discography

1966

“Too Weak To Fight” – Clarence Carter
“Warm And Tender Love” – Percy Sledge

1967

“I’d Rather Go Blind” – Etta James
“I’m Your Puppet” – James and Bobby Purify
“I Never Loved A Man” – Aretha Franklin
“Shake, Rattle and Roll” – Arthur Conley
“Tell Mama” – Etta James
“I’d Rather Be An Old Man’s Sweetheart Than A Young Man’s Fool” – Candi Staton
“Londres . . . A Memphis” (LP) – Eddy Mitchell
“Alice” (45) – Eddy Mitchell
“Up Tight, Good Man” – Laura Lee

1968

“Funky Fever” – Clarence Carter
“Take Time To Know Her” – Percy Sledge

1969

“3614 Jackson Highway” – Cher
“Oh Me, Oh My” – Lulu
“New Routes” (LP) – Lulu
“Glass Onion” (LP) – Arif Mardin
“Let It Be” – Aretha Franklin

1970

“Take A Letter, Maria” – R. B. Greaves
“Little Bit Of Soap” – Paul Davis
“Sugar, Sugar” – Wilson Pickett
“Loan Me A Dime” – Boz Scaggs
“Boz Scaggs” (LP) – Boz Scaggs
“Call Me” – Aretha Franklin
“Eleanor Rigby” – Aretha Franklin
“Always Something There To Remind Me” – R. B. Greaves
“Stealing In The Name Of The Lord” – Paul Kelly
“Muscle Shoals Nitty Gritty” – Herbie Mann

1971

“Heavy Makes You Happy” – Staple Singers
“Don’t Knock My Love” – Wilson Pickett
“Lies” – J. J. Cale
“Respect Yourself” – Staple Singers
“That’s The Way I Feel About You” – Bobby Womack
“A Very Lovely Lady” – Linda Ronstadt
“Up On The Roof (45)” – Laura Nyro
“Christmas And The Beads Of Sweat” (LP) – Laura Nyro
“Lovejoy” (LP) – Albert King

1972

“Duane Allman Anthology, Vol. I” – Duane Allman
“Starting All Over Again” – Mel and Tim
“I’ll Take You There” – Staple Singers
“If Loving You Is Wrong” – Luther Ingram
(I Don’t Want To Be Right)
“Sitting In Limbo” – Jimmy Cliff
“Harry Hippie” – Bobby Womack
“Smith-Perkins-Smith” – Smith-Perkins-Smith
“Respect Yoursef” – Staple Singers

1973

“There Goes Rhymin’ Simon (LP)
“Kodachrome” – Paul Simon
“Loves Me Like A Rock” – Paul Simon
“Shootout At The Fantasy Factory” (LP) – Traffic
“On The Road” (LP) – Traffic
“Oh How We Danced” – Jim Capaldi
“I Believe In You (You Believe in Me)” – Johnnie Taylor
“Lookin’ For A Love” Bobby Womack
“Hurts So Good” – Millie Jackson

1974

“Duane Allman Anthology, Vol. II” – Duane Allman
“If You’re Ready, Come Go With Me” – Staple Singers
“Phases and Stages” – Willie Nelson
“Bloody Mary Morning” – Willie Nelson
“Still Crazy After All These Years” (LP and 45) – Paul Simon
“Beautiful Loser” (LP and 45) – Bob Seger
“Dynaflo” – Boz Scaggs
“I Was Checking Out” – Don Covay
“Whale Meet Again” – Jim Capaldi
“Caught Up” (LP) – Millie Jackson

1975

“Katmandu” – Bob Seger
“Atlantic Crossing” (LP) – Rod Stewart
“Sailin’” – Rod Stewart
“First Cut Is The Deepest” – Rod Stewart
“I Am Somebody” – Johnny Taylor
“My Little Town” – Simon and Garfunkel
“Still Caught Up” – Millie Jackson
“Seductive Reasoning” – Maggie and Terre Roche

1976

“A Night On The Town” (LP) – Rod Stewart
“Eargasm” (LP) – Johnny Taylor
“Torn Between Two Lovers” – Mary MacGregor
“Night Moves” (LP) – Bob Seger
“Main Street” – Bob Seger

1977

“Watermark” (LP) – Art Garfunkel
“Feelin’ Bitchy” (LP) – Millie Jackson
“Sailin’” (LP) – Kim Carnes
“IZITSO” (LP) – Cat Stevens

1978

“Unlock Your Mind” – Staple Singers
“When You’re In Love With A Beautiful Woman” – Dr. Hook
“Sharing The Night Together” – Dr. Hook
“Second Wind” – (LP) Delbert McClinton
“Stranger In Town” (LP) – Bob Seger
“We’ve Got Tonight” – Bob Seger
“Old Time Rock And Roll” – Bob Seger
“Very Extremely Dangerous” – Eddie Hinton

1979

“Loveline” – Eddie Rabbit
“The Original Disco Man” (LP) – James Brown
“It’s Too Funky In Here” – James Brown
“Cocoanut Telegraph” – Jimmy Buffett
“Against The Wind” (LP) – Bob Seger
“Fire Lake” – Bob Seger
“Better Love Next Time” – Dr. Hook

1980

“The Jealous Kind” – Delbert McClinton
“Giving It Up For Your Love” – Delbert McClinton
“Sexy Eyes” – Dr. Hook
“People” (LP) – James Brown

1981

“Fancy Free” – Oak Ridge Boys
“Plain’ From The Heart” – Delbert McClinton

1982

“Billy Vera” (LP) – Billy Vera
“Coming Home” – Bob Seger
“Thank God For Kids” – Oak Ridge Boys
“Old Enough” (LP) – Lou Ann Barton

1983

“Ozark Mountain Jubilee” – Oak Ridge Boys
“I Guest It Never Hurts To Hurt Sometimes” – Oak Ridge Boys
“No Fun Aloud” (LP) – Glenn Frey

1984

“Valotte” (LP and 45) – Julian Lennon
“Havana Moon” (LP) – Carlos Santana
“The Allnighter” (LP) – Glenn Frey
“Steve Bassett” – Steve Bassett

1985

“Harmony” – John Conlee
“American Vagabond” – William Lee Golden
“Sporting Life” – Willie DeVille
“Golden Speer” – Golden Speer

1986

“Seasons” (LP) – Oak Ridge Boys
“Wall To Wall” (LP) – Johnny Taylor
“Step Out” (LP) – Oak Ridge Boys
“Tell It Like It Used To Be” (LP) – T. Graham Brown
“Billy ‘Crash’ Craddock” – Billy “Crash” Craddock
“Hold Me Back” – Connie Smith
“Hell And High Water” – T. Graham Brown

1987

“American Faces” (LP) – John Conlee
“Hopeless Romantic” – Billy And The Beaters
“Brilliant Conversationalist” – T. Graham Brown
“Not Tonight” – Vickie Rae Von
“Mosley And Johnson” – Mosley and Johnson
“Somewhere In The Night” – Sawyer Brown
“Old Friends” – Mickey Newbury

1988

“I Guess I Just Missed You” – Canyon
“Hittin’ Where It Hurts” – Denise LaSalle
“Clutch” – Clutch
“The Last Resort” – T. Graham Brown
“Roadhouses and Dance Halls” – Lonnie Mack
“Fellow Travelers” – John Conlee
“Soul Searchin’/True Love” – Glen Frey

1989

“Work It Out” – Jim Horn
“Midnight Run” – Bobby Bland
“Where The Hits Are” – Connie Francis

1990

“In The Middle Of The Night” – Canyon
“Feel The Love” – Dorothy Moore
“The Only Way Is Up” – Latimore
“Crazy ‘Bout You” – Johnny Taylor
“Dirt Road” – Sawyer Brown
“Still Trapped” -Denise LaSalle
“Rainbow Down The Road” – B. W. Stevenson

1991

“Closer To The Truth” – Tony Joe White
“Just Can’t Do Right” – Johnny Taylor
“Ca Ne Change Pas Un Homme” – Johnny Hallyday
“Portrait Of The Blues” – Bobby Bland
“Premium” – Mosley and Johnson

1992

“Southland” – Steve Bassett
“XV With Class” – Jason Lee
“Drive-Inn” (TV Theme Song) – Mystic Soul Bubbas
“The Right Time” – Etta James
“Strugglin’ Lady” – Little Milton
“Decode Pas Bunny” – Various Warner Brothers Cartoon Characters
“Stay Close To Home” – Dorothy Moore
“Joy And Pain” – Shirley Brown

1993

“Rio Grande” – Eddy Mitchell
“Years Of Tears” – Bobby Bland
“Give Out, But Don’t Give Up” – Primal Scream
“Catchin’ Up” – Latimore
“Do Right Man” – Dan Penn

1994

“No, We Ain’t From Clarksdale” – Beat Daddies
“Love and Happiness” – Jerry Josephs
“Z. Zelebration” (Tribute to Z.Z. Hill) – Bobby Bland, Little Milton, Johnny Taylor, Denise LaSalle, etc.
“Greatest Hits, Vol. 1″ – Bob Seger

1995

“Sad Street” – Bobby Bland
“Mendo Hotel” – Wayne Perkins
“Different Shades Of Blue” – Artie White
“Roots and Wings” – Vaya Con Dios
“In The Mood” – Ernie Johnson
“Sittin’ Here With Nothing” – Mike Griffin
“Goodnight Dear” – Microwave Dave and the Nukes

1996

“Good Love” – Johnny Taylor
“Misty Blue and Other Hits” – Dorothy Moore
“Rendevous With The Blues” – Jimmy Hall
“Never Say It’s Over” – George Zalucki
“Back To Normal” – Luke Walter, Jr.
“Blessed Blues” – Johnny Jenkins
“Mr. Eddy” – Eddy Mitchell
“Blessed Blues” – Johnny Jenkins
“Cheatin Habits” – Little Milton
“Road Runner” – Microwave Dave and the Nukes

1997

“Calvin Russell” – Calvin Russell
“Searching for Simplcity” – Gregg Allman
“Home Tonight” – Artie White
“At Last” – Screaming Jay Hawkins

1998

“For Real” – Little MIlton
“Taylored to Please” – Johnny Taylor
“What’s in that Bag?” – Chuck Leavell
“Soul Bones” – Tom “Bones” Malone
“Preacher and the President” – Joe Louis Walker
“Memphis Monday Morning” – Bobby Blue Bland
“Axe to the Root” – Will McFarlane
“Frame this Moment” – Marianne Antonsen

1999

“Getcha Some” – Toby Keith
“Beach House on the Moon” – Jimmy Buffett
“Gotta Get the Groove Back” – Johnny Taylor
“Sam” – Calvin Russell
“Welcome to Little Milton” – Little Milton
“Les Nouvelles Aventures d’Eddy Mitchell” – Eddy Mitchell
“Voices” – Oak Ridge Boys
“Drive Me Wild” – Sawyer Brown
“Gettin’ My Mind Right” – Tim Wilson
“Horse of Different Color” – Willy Deville
“Hard Luck Guy” – Eddie Hinton

2000

“Feel It” – Little Milton
“Hillbilly Homeboy” – Tim Wilson
“Party in a Box” – Steve Bassett and the Mystic Soul Bubbas
“Wandering Strange” – Kate Campbell
“You’re Welcome to Ride” – Latimore
“Wouldn’t Lay My Guitar Down” – Microwave Dave
“Dear Y’all” – Eddie Hinton
“Sounenirs” – Betty Lavette

2001

“Shot from the Saddle” – the Decoys
“Legacy” – Floyd Taylor
“I Should Have Married My Father-in-Law” – Tim Wilson
“The End is in Sight” – Russell Smith
“Autumn” – Autumn

2002

“One Voice” – (9-11 Tribute) Various Artists
“Going Down” – Don Nix & Friends
“Blues at Midnight” – Bobby “Blue” Bland
“Guitar Man” – Little Milton

2003

“Hidden Tracks” – Roy Burkett
“All Ya’ll Feeling All Right” – Clarence Carter
“All Night All Stars” – Various Artists
“Frenchy” – Eddy Mitchell
“There’s No Good In Goodbye” – Johnny Taylor
“Greatest Hits, Vol. 2″ – Bob Seger
“Blues At Midnight” – Bobby “Blue” Band
“Super Bad Sounds of the 70′s” – Tim Wilson

2004

“Testifying” – The Country Soul Revue (Various Artists)
“Magazine and Race” – Julieann Banks
“Playin’ Around” – Eddie Hinton
“One Foot in the Groove” – Donnie Fritts

2005

“Honeycomb” – Frank Black
“Master of Disaster” – John Hiatt
“Beautiful Dream” – Eddie Hinton
“Better to Have It” – Bobby Purify
“Under the Big Top” – Phil Driscoll

2006

“The Complete Atlantic Recordings” – Willie Nelson
“Fastmanraiderman” – Frank Black
“Get Gone” – (the Muscle Shoals Sessions) Johnny and the Mo-Tones
“Nostoi” – Uglistick
“Back On the Bayou Road” – Walter Jr.
“South” – Helen Henderson
Also projects by Microwave Dave and J. B. Roberts

2007

“Rare and Unrelesed Recordings” – Aretha Franklin
“No Easy Way Out” – Danny Brooks
“The Scene of the Crime” – Bettye Lavette
“God is Calling” – Sister Grace
“Build Your Own Fire” – Jimmy Hall
“Sirens of the Ditch” – Jason Isbell
“The Essential Paul Simon” – Paul Simon
“Midnight Communion” – The Amazing Rhythm Aces

2008

“Take Me To The River” – Various Artists
“The Best Of Jimmy Hughes” – Jimmy Hughes

2009

“A Sideman’s Journey” – Klaus Voorman
“Murdering Oscar” – Patterson Hood

2010

“Tears, Lies and Alibis” – Shelby Lynne

2011

“Evidence” – Candi Staton
“Working in Tennessee” – Merle Haggard
“Paley and Francis” – Reid Paley and Black Francis
“Dedicated” – Steve Cropper
“Don’t Count Me Out” – George Jackson
“Chocolate Gravy” – Mark Narmore
“The Fame Studios Story” – Various Artists

Biography

The 1972 pop classic, “I’ll Take You There” by the Staples Singers, is widely recognized as the song that best defines a genre of American music that record producer Jerry Wexler labeled “Rhythm & Blues”. The bass line (at the 1:52 mark) of “I’ll Take You There” is widely acknowledged as the definitive rhythm line associated with R&B. David Hood is the man who takes us there with that funky solo. Along with Jimmie Johnson, Roger Hawkins and Barry Beckett, he formed the legendary Muscle Shoals Rhythm Section.

The musical journey of David Hood began well before his work with the Staple Singers. The line-up of artists before and after reads like an encyclopedia of American & British Rock, Blues, and R&B performers. From Aretha Franklin and Etta James to Paul Simon, Steve Winwood, Levon Helm and Duane Allman, David’s minimalist style exemplifies the collaborative hallmark of the Muscle Shoals Rhythm Section.

Beginning of the Journey
Born and raised—and still living in—Northern Alabama, David started playing trombone at age 14 for the Sheffield High School Band; at age 17 he found his calling, the bass guitar. While attending the University of North Alabama, David and three former classmates from Sheffield High School formed their first band, The Mystics, playing the fraternity circuit in Alabama and Mississippi. When not in school or playing with The Mystics, David hung out at Rick Hall’s Fame Studio and Quin Ivy’s Quinvy studio, hoping to begin a career in the fledgling recording industry in Muscle Shoals, Alabama.

As recently chronicled in the documentary film titled Muscle Shoals, David’s recording career began in 1966. In just his first two years as a studio musician, Hood played bass or trombone on several early Muscle Shoals hits including James and Bobby Purify’s “I’m Your Puppet”, Percy Sledge’s “Warm and Tender Love”, Aretha Franklin’s “I Never Loved A Man” and Etta James’ “Tell Mama”.

So began a recording career that is among the most prolific in quantity, diversity and quality—touching the lives of thousands of musicians and millions of listeners.

The Muscle Shoals Sound Studio Begins
A major turning point occurred in 1969. On the verge of signing a new contract with Rick Hall at Fame Studios, the group that was to become the Muscle Shoals Rhythm Section partnered with Jerry Wexler of Atlantic Records to open a new studio at 3614 Jackson Highway in Sheffield, Alabama. The Muscle Shoals Sound Studio took the name of the men who were to become the heart and soul of a body of music created over the next 20 years rivaling Memphis, Nashville and New York City.

The first album cut at Muscle Shoals Sound Studio marked the beginning of Cher’s phenomenal solo career. The album, titled 3614 Jackson Highway, was produced and engineered by Jerry Wexler and Tom Dowd of Atlantic Records. Aside from the musicians, Jerry, Tom and Rick Hall were integral figures in American music history and David’s career. When asked about Rick, David described him as a “taskmaster” who could be very hard on his musicians, demanding the focus and precision that would prepare David for his future with Wexler.

“Wexler scared me to death! The first time I met him… I heard this Yankee accent over the talkback in the studio: ‘David, would you come up here please’. Oh God, what does he want… he’s gonna fire me! We laughed about it later. He was a tough old guy, but hey, Jerry and Tom Dowd produced Ray Charles on “What’d I Say?” They weren’t musicians, but they had incredible intuition, trained ears and depth of knowledge. Jerry could tell me where to accent and where to push. He knew when something is in the pocket, it can be one click faster or slower and it won’t work. He could always tell when it was there.”

Following the success of Cher’s album, a who’s-who of musicians and bands made their way to Muscle Shoals.

Working with Duane Allman
In 1969 Duane Allman joined the Muscle Shoals Rhythm Section for Boz Scaggs’ first album. Duane had worked at Fame on many of the hits that made Muscle Shoals famous including Wilson Pickett’s version of “Hey Jude”. Also featured on Boz’s first album was the 13 minute tour-de-force “Loan Me A Dime” where we hear some of the finest playing of the man who would go on to form The Allman Brothers Band and set in motion a new genre, Southern Rock. “Loan Me A Dime” provides a clear and compelling example of the musicianship of the Muscle Shoals Rhythm Section.

The melodic keyboard opening (first organ, then piano) played by Barry Beckett is followed by perfectly paced (Hawkins drums) series of soulful exchanges including Boz’s lyrics, David’s pulmonary bass, beautiful horn arrangements and of course, the interplay of guitar by Boz, Jimmie Johnson, Eddie Hinton and the blues powered improvisation by Duane Allman.

The 1970’s saw the demand for Muscle Shoals Rhythm Section and David’s bass playing grow. Nearly every day for the next two decades, the studio and David were booked by the icons of American music to record an unmatched catalog of hits. The artists included The Staples Singers, Clarence Carter, King Curtis, Wilson Pickett, Aretha Franklin, Paul Simon, Traffic, Willie Nelson, Linda Ronstadt, Bob Seger, Rod Stewart, Delbert McClinton, Jimmy Buffett, James Brown, Levon Helm, and The Rolling Stones.

Musical Legacy
During this remarkable musical period, David’s most important legacy emerged. As the father of Patterson and husband to Judy, David’s family life and dedication to the Shoals community has always taken center stage. Inspired by the music of his father, Patterson Hood began writing songs at 8 years old, playing guitar at 14 and formed his first band (Adam’s House Cat) with childhood friend Mike Cooley in 1985. In 1996, Patterson and Mike organized The Drive-By Truckers, a Southern/Country rock band who’s DNA is clearly traced back to David Hood, The Muscle Shoals Rhythm Section and the sounds of Swampland.

David is currently a member of The Decoys, a band he co-founded with Scott Boyer that includes Kelvin Holly, NC Thurman and Mike Dillon. While his career as a studio player is widely known, David has toured with Traffic, and appeared with BB King, Mavis Staples and Bonnie Bramlett. David continues to work in the studio, perform live with his son Patterson and his current band, The Decoys.

For the session where his signature bass line in “I’ll Take You There” was recorded, David was paid just $71. But for the man whose day-to-day audience became the equipment, the producer and the engineer, David Hood enjoys the greatest of all rewards, life-fulfilling relationships with family, friends and wonderful recording artists.

More Bass/FAQ

What are your favorite basses?

  • Lakland 55-94 Deluxe 5-string — A very good sounding, easy playing 5-string and a mainstay in recording sessions.
  • Kubicki Ex-Factor 4-string — Very versatile, with great tones for both recording and playing live.
  • ‘76 Alembic 4-string — A veteran of 1,000 recordings, still a great sounding bass.
  • Lakland Joe Osborn — One of the best jazz style basses I’ve played.
  • ‘57 Fender Precision Bass — Has a great neck and a classic P-bass sound.
  • Lakland 4-94 Deluxe 4-string — My favorite bass for playing live because of its great looks and sound.

 

What kind of strings do you use?

The ones I get for free! – David